Watch as director Jordan Peele dances around the ties and trademarks of a threadbare genre and then renders these tropes irrelevant with ...

Moonlight concludes at a cathartic moment: the camera closes in on Chiron comforted in loneliness by a lost love before cutting away t...

Paterson finds the tiny fragments of poetry which trickle through routine and rest in the crevices of ordinary life, swimming in the deta...

To romanticise loneliness is a guilty pleasure, a sweet and shameful joy. Paris, Texas, a slow-burning mediation on the luxuries of ...

  The fin al entry to Celine Sciamma adolescence trilogy , Girl hood , has been dubbed the female recipor cal to Richard Linklater...

Cinema is the most commercialised form of art that exists. Nearly the entire film industry is based on the box office, on pitching screen...

Steve Jobs, an analogical symphony of artful, vibrant graphics, drilled into a smart and consistent rhythm with the aid of a tight, marc...

The Revenant is a film bathed in brutality, featuring a primal kind of beauty shot through gritty, unforgiving lenses, indulgent in it...

It may come as no surprise that my favourite places to be are cinemas. My city, Melbourne, is a kind creature to my habits (or rather ma...

Sicario is an assiduous, pulsating work of art, a graphic feature of inspired technical verve, tense and satisfying with rounded perfor...