Visual & Sound Diary: Three Colours: Blue (1993)

Visual & Sound Diary is a weekly feature where I explore a chosen film of distinctive cinematography and musical composition via the score, soundtrack and stills. This is how it works: click play on the link supplied of the selected music and scroll through the images. Be reminded and inspired of the cinematic splendour. 

Note: the last shot is my pick for the best shot.

Arguably the greatest trilogy of film history, Krzysztof Kieślowski's spectacular Three Colour series is a fine landmark of French cinema. The first instalment, Blue, is a sweeping look at grief as an aggressor of the human condition, carried by the sheer skill and veracity of ferocious talent Juliette Binoche. The film is patient and slow-moving, the story progresses in a wonderfully natural manner. The late Kieslowski's storytelling abilities can only be described as intuitive, wonderfully nuanced and rewarding throughout. The feature is also clearly distinguished by its innovative use of cinematography and music. A strange correlation exists between the visuals and the sounds for whilst the imagery is primarily mundane, the soundtrack is continuously dramatic and pronounced. Unlike the compositions I have selected previously which have been serene, tranquil and all primarily piano pieces, The Unification of France is extravagant and imposing.

Kieślowski''s trilogy is fundamentally based on the French Revolution ideals, represented by the three colours, Blue (liberty), White (equality) and Red (fraternity) as on the national flag. It is a retrospective, subtly patriotic look at the application of these values on France's modern society. The trilogy is a goldmine of material for a liberal arts student - it is continuously compelling, mysterious and philosophical - provoking endless discussion created of an ambiguity which cuts straight into poetry. Blue serves as the introduction to the series, presented as a melancholias tribute to the classic concept of "triumph over adversity". For Blue, the aesthetics are simple yet striking and ethereal, the story spirited, the central performance by Binoche transcendent and the payoff great.